In a recent appearance, star Jude Law remarked he had no concerns about backlash for portraying the Russian leader in a new film. This production, however, may align so closely with the carefully constructed image promoted by Russian state media that, within Russia, it functions as a compliment instead of a challenge.
For years, the Russian political apparatus and the country's entertainment industry have collaborated to craft a tailor-made version of Putin. This character is an infallible strategist without age or mistakes, an ex-intelligence officer reimagined as a Russian James Bond who consistently understands beyond what he shows.
āDomestically, the constructed Putin has long overshadowed the actual person.ā
A notable instance is a TV series launched last fall, helmed by a Kremlin supporter. Its main character is a fictional blue-eyed lieutenant colonel inexplicably chosen to ārescueā Russia from disorder. While the character's name a different name, the implication is clear: the savior must be a familiar security officer.
Western portrayals often end up buttressing this same narrative rather than debunking it. A new film based on a bestselling satirical novel aims to subvert the leader's mythology by presenting him as a symptom but as a symptom, shifting the narrative weight to the political machinery around him.
On screen, the president is shown as having been picked by influential figures to steady the nation because he is āa fit former intelligence agentā. They visit him and practically plead him to take the top job. He replies is that he would prefer to rule from the background, desiring enduring influence.
This narrative is the Kremlinās export myth: the detached, unwilling mastermind shaped by destiny. In reality, none of this took place.
Nobody actually pleaded with Putin to take the job. The position was in essence a casting call with no shortage of contenders. Central to the selection stood an influential oligarch from the previous administration who expected to run the country de facto.
āThe goal wasn't a powerful leader, they needed someone controllable, someone who would follow instructions.ā
Analysts concur that the image of him as a powerful KGB spy was built after the fact. Stories about his clandestine activities in East Germany fall apart under examination. In essence, he was an administrator and routine duties, a low-level clerk not involved with field operations.
Interestingly, the shift to depicting him as a āspyā could partly have been inspired by Daniel Craigās debut as James Bond. His harder interpretation led Russian media and online audiences to draw visual parallels with their leader. Mashup posters swapping Craigās face with his surfaced on city centers, fueling the growing tendency to frame him as a Russian 007.
Given the casting, an star popular with Russian audiences, the authorities are likely to seize the opportunity to portray this choice as a small victory. The film's exclusion of public dissent, the opposition, or key figures from its narrative, despite covering the past decade, is a welcome aspect for state propaganda.
In Russian cinema, the president is often an omnipotent figure who never appears on screen. He is hinted at through portraits or calls āfrom aboveā. In this new film, he at last gets a famous actor's visageāone that may inadvertently echo the very myths it perhaps aims to question.
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